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Authors
Abstract(s)
A presente monografia tem em vista um olhar crítico e refletivo sobre o projeto prático “Limiares”, realizado a 26 e 28 de junho de 2019, que decorreu no Jardim do Museu Romântico do Porto. Este projeto visou o desenvolvimento de uma metodologia criativa que teve como objetivo abordar as fronteiras de intimidade e gerar métodos de proximidade entre seres humanos.
Para que fosse possível gerar material e proceder à criação foram realizadas diversas formas de improvisação que tinham como base, inicialmente, a proposta sobre memórias de diferentes “estados de consciência” cedidas por inúmeras pessoas que foram relatando experiências desse modo. Com “estados de consciência”, refiro-me à alteração que provocamos, e é em nós provocada, simplesmente por estarmos com uma pessoa, num lugar, numa experiência, tal como abordarei mais especificamente ao longo da monografia.
O material criativo assim produzido, deu lugar ao tema das fronteiras de intimidade que foi, por sua vez, a base do projeto “Limiares”.
The present monography is a critical and reflective view on the project “Limiares”, performed on the 26th and 28th of June, 2019, which took place in the garden of Porto’s Romantic Museum. This project aimed to develop a creative methodology that had as objective to approach the frontiers of intimacy and to generate methods of proximity between human beings. In order to generate creative material, different kinds of improvisation were carried out, initially based on the proposal of memories of different “states of consciousness” given by countless people who were reporting experiences in this way. With “states of consciousness” I mean the alteration we provoke, and it is in us simply because we are with a person, a place, an experience, as I will approach in the course of this monography. The creative material generated in this way was, in turn, the basis of the project “Limiares”.
The present monography is a critical and reflective view on the project “Limiares”, performed on the 26th and 28th of June, 2019, which took place in the garden of Porto’s Romantic Museum. This project aimed to develop a creative methodology that had as objective to approach the frontiers of intimacy and to generate methods of proximity between human beings. In order to generate creative material, different kinds of improvisation were carried out, initially based on the proposal of memories of different “states of consciousness” given by countless people who were reporting experiences in this way. With “states of consciousness” I mean the alteration we provoke, and it is in us simply because we are with a person, a place, an experience, as I will approach in the course of this monography. The creative material generated in this way was, in turn, the basis of the project “Limiares”.
Description
Keywords
Espontaneidade Estados de consciência Improvisação Performance invisível Fronteiras de intimidade Spontaneity States of consciousness Improvisation Invisible performance Borders of intimacy