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Abstract(s)
As transcrições de Liszt permitiram, no séc. XIX, a divulgação do trabalho de compositores menos conhecidos. Existe um extenso trabalho bibliográfico no que diz respeito a cada um dos compositores (Franz Schubert, Robert Schumann e Franz Liszt) e a cada uma das obras (Gretchen am Spinnrade e Widmung), e, ainda que exista um considerável trabalho de investigação, as performances destas obras
continuam relativamente escassas. O objetivo deste trabalho é interligar estas duas vertentes. Para tal, escolheram-se duas obras, das quais se apresentará uma análise formal e uma análise comparativa de várias gravações, por forma a tentar verificar as relações possíveis entre estas duas vertentes da interpretação musical.
Liszt’s transcriptions allowed, in the XIX century, the dissemination and promotion of the work of lesser known composers. There is already an extensive bibliographic work related to the composers (Franz Schubert, Robert Schumann and Franz Liszt), as well as to their work (Gretchen am Spinnrade and Widmung), but, even with a considerable investigation work developed, their performances remain relatively scarce. The main goal of this project consists in the connection of these two aspects. With this in mind, two compositions were selected, of which a formal analysis and a comparative analysis of recordings will be conducted. Finding relations between these two aspects of musical interpretation is the edge of this work.
Liszt’s transcriptions allowed, in the XIX century, the dissemination and promotion of the work of lesser known composers. There is already an extensive bibliographic work related to the composers (Franz Schubert, Robert Schumann and Franz Liszt), as well as to their work (Gretchen am Spinnrade and Widmung), but, even with a considerable investigation work developed, their performances remain relatively scarce. The main goal of this project consists in the connection of these two aspects. With this in mind, two compositions were selected, of which a formal analysis and a comparative analysis of recordings will be conducted. Finding relations between these two aspects of musical interpretation is the edge of this work.
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Keywords
“Gretchen am Spinnrade” “Widmung Transcrições Piano Lieder Análise Interpretação Transcriptions Analysis Performance