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Abstract(s)
O ensaio propõe abordar a materialização do espaço psicológico da personagem a partir da cinematografia, analisando como os elementos visuais e técnicos contribuem para a representação do mundo interior do protagonista. O desenvolvimento teórico centra -se na vivência da personagem no espaço e na evocação de sentimentos, como memória, nostalgia e conflito interno, transmitidos por meio de enquadramentos, iluminação, movimento de câmara e composição visual que transpõem para o quadro as condições interiores e exteriores do protagonista.
Para sustentar a temática apresentada, propõe -se a análise de estudos de caso filmográficos e de referências bibliográficas pertinentes, com ênfase na relação entre espaço e psicologia da personagem no cinema.
Numa abordagem mais concetual, onde se definirá essa relação, serão referenciados autores como Jean Mitry, Jacques Aumont, Joseph V. Mascelli e Gilles Deleuze, destacando -se as suas contribuições para compreender como o cinema pode representar dimensões subjetivas e psicológicas através da manipulação narrativa e visual.
This essay aims to explore the materialisation of the character's psychological space through cinematography, analyzing how visual and technical elements contribute to the representation of the protagonist’s inner world. The theoretical development focuses on the character's experience of space and the evocation of emoti ons such as memory, nostalgia, and internal conflict, conveyed through framing, lighting, camera movement, and visual composition, which transpose the protagonist’s internal and external conditions onto the screen. In order to support the proposed theme, an analysis of film case studies and relevant bibliographical references is proposed, with emphasis on the relationship between space and the character’s psychology in cinema. In a more conceptual approach, authors such as Jean Mitry, Jacques Aumont, Joseph V. Mascelli and Gilles Deleuze are discussed, highlighting their contributions to understanding how cinema can represent subjective and psychological dimensions through the manipulation of narrative and visual space.
This essay aims to explore the materialisation of the character's psychological space through cinematography, analyzing how visual and technical elements contribute to the representation of the protagonist’s inner world. The theoretical development focuses on the character's experience of space and the evocation of emoti ons such as memory, nostalgia, and internal conflict, conveyed through framing, lighting, camera movement, and visual composition, which transpose the protagonist’s internal and external conditions onto the screen. In order to support the proposed theme, an analysis of film case studies and relevant bibliographical references is proposed, with emphasis on the relationship between space and the character’s psychology in cinema. In a more conceptual approach, authors such as Jean Mitry, Jacques Aumont, Joseph V. Mascelli and Gilles Deleuze are discussed, highlighting their contributions to understanding how cinema can represent subjective and psychological dimensions through the manipulation of narrative and visual space.
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Keywords
Espaço psicológico Estados emocionais Perceção sensorial Cinematografia Conflito Psychological space Emotional states Sensory perception Cinematography Conflict