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Abstract(s)
Apesar de ser reconhecida a importância da direção de fotografia no cinema,
esta nem sempre é vista com o devido valor artístico. Os requerimentos de alto
conhecimento técnico facilmente ofuscam a importância que esta função tem não só
para que a narrativa seja transcrita de uma forma compreensiva e visualmente apelativa,
mas também para a criação de uma reação emocional no espetador.
O diretor de fotografia tem sobre a sua responsabilidade a manipulação de duas
ferramentas absolutamente fundamentais para a criação cinematográfica: a câmara, o
equipamento que permite o registo de imagens visuais; e a luz, o elemento essencial
necessário para que as imagens se formem.
Este ensaio parte do trabalho de direção de fotografia no filme Johnny White,
com especial destaque no trabalho de iluminação, onde foram tomadas diversas opções
que procuram criar um maior envolvimento emocional entre a narrativa e o espectador.
O objetivo é, neste sentido, descrever as intenções, referências e técnicas utilizadas neste
processo, assim como uma análise e discussão do resultado obtido.
Although the importance of cinematography in cinema is recognized, it is not always seen with due artistic value. The requirements for high technical knowledge easily overshadow the importance of this function, not only for the narrative to be transcribed in a comprehensive and visually appealing way, but also for creating an emotional reaction in the viewer. The cinematographer is responsible for the manipulation of two absolutely essential tools for cinematographic creation: the camera, the equipment that allows the recording of visual images; and light, the essential element needed for images to be formed. This essay is based on the work of cinematography in the film Johnny White, where several options were taken that seek to create a greater emotional involvement of the viewer and also to attribute density to the narrative and support to the main character portrayed. The objective is, in this sense, to describe the intentions, references and techniques used in this process, as well as an analysis and discussion of the obtained result.
Although the importance of cinematography in cinema is recognized, it is not always seen with due artistic value. The requirements for high technical knowledge easily overshadow the importance of this function, not only for the narrative to be transcribed in a comprehensive and visually appealing way, but also for creating an emotional reaction in the viewer. The cinematographer is responsible for the manipulation of two absolutely essential tools for cinematographic creation: the camera, the equipment that allows the recording of visual images; and light, the essential element needed for images to be formed. This essay is based on the work of cinematography in the film Johnny White, where several options were taken that seek to create a greater emotional involvement of the viewer and also to attribute density to the narrative and support to the main character portrayed. The objective is, in this sense, to describe the intentions, references and techniques used in this process, as well as an analysis and discussion of the obtained result.
Description
Trabalho de projeto
Keywords
Direção de fotografia Iluminação Cor Psicologia Emoção Cinematography Lighting Color Psychology Emotion