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Advisor(s)
Abstract(s)
O presente ensaio aborda o conceito de ritmo através da sua aplicação
prática no processo de montagem da curta-metragem Johnny White (2020), escrita
e realizada por Gonçalo Santos. Será abordada, inicialmente, uma perspetiva a
partir da qual se propõe enquadrar o conceito de ritmo e a forma como este é
entendido no contexto da montagem cinematográfica. Seguir-se-á a apresentação
de um ponto de vista abstrato no que respeita à montagem e ao ritmo, como forma
complementar a primeira. Através da análise de metodologias adotadas por
compositores como Danny Elfman (2014) ou Stephen Sondheim (2007), aliadas as
intenções criativas de cineastas como Tim Burton, é mostrada a ligação entre
objetividade e criatividade no contexto da montagem cinematográfica. A partir dos
estudos feitos, serão objetos de reflexão filmes específicos que permitam um
entendimento prático. A experiência empírica assente na montagem de Johnny
White, componente pratica deste documento, resulta da reflexão e posterior
aplicação de influências e práticas decorrentes da investigação levada a cabo na
componente teórica.
This essay seeks the understanding of rhythm through its practical application during the editing process of the short film Johnny White (2020), written and directed by Gonçalo Santos. Initially, there will be a perspective which will allow the assimilation of the notion of rhythm and the way it is conceived and placed in a cinematic context. Subsequently, a mainly abstract point of view will be explored in relation to editing and rhythm, supporting the ideas initially presented. From the analysis of methodologies embraced by composers such as Danny Elfman (2014) or Stephen Sondheim (2007), combined with filmmaker Tim Burton’s creative intentions, an alliance is found between objectivity and creativity. Through the acquired understanding of the previous notions, there will be an exploration of rhythm and montage in specific film productions, which will allow a practical perspective. The empirical study rooted on the editing of the short film Johnny White, practical component of this essay, results of a reflection and further practical influences from the developed theoretical investigation.
This essay seeks the understanding of rhythm through its practical application during the editing process of the short film Johnny White (2020), written and directed by Gonçalo Santos. Initially, there will be a perspective which will allow the assimilation of the notion of rhythm and the way it is conceived and placed in a cinematic context. Subsequently, a mainly abstract point of view will be explored in relation to editing and rhythm, supporting the ideas initially presented. From the analysis of methodologies embraced by composers such as Danny Elfman (2014) or Stephen Sondheim (2007), combined with filmmaker Tim Burton’s creative intentions, an alliance is found between objectivity and creativity. Through the acquired understanding of the previous notions, there will be an exploration of rhythm and montage in specific film productions, which will allow a practical perspective. The empirical study rooted on the editing of the short film Johnny White, practical component of this essay, results of a reflection and further practical influences from the developed theoretical investigation.
Description
Trabalho de projeto
Keywords
Ritmo Montagem Arte Criatividade Rhythm Editing Art Creativity