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Authors
Abstract(s)
Tōru Takemitsu é o mais prolífico compositor japonês da sua geração, considerado responsável pela introdução da música erudita proveniente do oriente no panorama internacional. O destaque do compositor relaciona-se com o idioma musical singular que a sua obra assume, resultado da combinação de técnicas composicionais ocidentais e conceitos estéticos japoneses. Este projeto é constituído por quatro partes: a primeira faz um resumo biográfico do compositor, a segunda expõe as influências ocidentais e orientais manifestadas na obra de Takemitsu, a terceira constitui uma análise a duas peças para piano solo do compositor à luz destas noções e, por fim, é explicada a escolha do programa e ordem do recital.
Tōru Takemitsu is the most prolific Japanese composer of his generation, considered responsible for introducing Eastern classical music to the international scene. The composer’s prominence is related to the unique musical idiom that his work assumes, resulting from the combination of Western compositional techniques and Japanese aesthetic concepts. This project consists of four parts: the first part makes a biographical summary of the composer, the second sets out the Western and Eastern influences manifested in Takemitsu’s oeuvre, the third part is an analysis of two of the composer’s solo piano pieces in the light of these notions and, finally, the choice of programme and order of the recital is explained.
Tōru Takemitsu is the most prolific Japanese composer of his generation, considered responsible for introducing Eastern classical music to the international scene. The composer’s prominence is related to the unique musical idiom that his work assumes, resulting from the combination of Western compositional techniques and Japanese aesthetic concepts. This project consists of four parts: the first part makes a biographical summary of the composer, the second sets out the Western and Eastern influences manifested in Takemitsu’s oeuvre, the third part is an analysis of two of the composer’s solo piano pieces in the light of these notions and, finally, the choice of programme and order of the recital is explained.
Description
Keywords
Takemitsu Influências Oriente Ocidente Rain Tree Sketch Rain Tree Sketch II - in memoriam Olivier Messiaen Estudo analítico Influences East West Analytical study