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Authors
Advisor(s)
Abstract(s)
O ecossistema televisivo está a mudar, o sucesso de plataformas de streaming
globais como a Netflix, Amazon ou Hulu, desafiam a televisão tradicional, oferendo aos
seus utilizadores conteúdos inovadores e o controlo do modo como os consomem. Desde
o final dos anos 90, com canais privados como a HBO, que as séries têm sofrido um
processo de complexificação narrativa, que levaram a um maior envolvimento
emocional da audiência, e a práticas como o binge-watching, popularizados pelas
plataformas de streaming.
Este trabalho parte do fenómeno da complexificação narrativa para identificar
as estratégias dramáticas do formato seriado, que mantêm a audiência interessada ao
longo de vários episódios. Centramo-nos no impacto da serialização narrativa em termos
de ação e personagem, aprofundando questões como as pausas de discurso, a gestão da
curiosidade do espectador, o cliffhanger, os arcos e crescimento de personagem, entre
outros.
De seguida, faz-se um relato metodológico da escrita de CRUSHING, uma série
limitada de género dramedy, desenvolvida para a era do streaming, que constitui a
componente prática de projeto. Centramo-nos no processo de criação da série e na
produção dos elementos que formam o pacote de venda: guião do episódio-piloto,
tratamento de temporada e a bíblia da série.
The TV ecosystem is changing, the success of global streaming platforms as Netflix, Amazon or Hulu challenges the traditional television, offering to their subscribers innovative content as well as the control to how they consume it. Since the end of the 90s, with private channels as HBO, TV series have been suffering a process of narrative complexation, that brought a bigger emotional involvement from the audience, as well as practices as binge-watching, popularized by the streaming platforms. This essay begins from this narrative complexation phenomenon as a way to identify the dramatic strategies from the series format, that keep the audience interested through various episodes. Centered on the impact of narrative serialization in terms of action and character, developing questions as pauses in the discourse, the control of the curiosity of the spectator, the cliffhanger, the arcs, the character growth, and others. Afterwards, a methodologic deposition of CRUSHING’s writing is made, a limited series part of the genre dramedy, developed for the streaming era, constituting the practical component of the project. Centering on the process of the genesis of the series and on the production of the elements that form the sale package: script of pilot-episode, treatment of the season and bible of the series.
The TV ecosystem is changing, the success of global streaming platforms as Netflix, Amazon or Hulu challenges the traditional television, offering to their subscribers innovative content as well as the control to how they consume it. Since the end of the 90s, with private channels as HBO, TV series have been suffering a process of narrative complexation, that brought a bigger emotional involvement from the audience, as well as practices as binge-watching, popularized by the streaming platforms. This essay begins from this narrative complexation phenomenon as a way to identify the dramatic strategies from the series format, that keep the audience interested through various episodes. Centered on the impact of narrative serialization in terms of action and character, developing questions as pauses in the discourse, the control of the curiosity of the spectator, the cliffhanger, the arcs, the character growth, and others. Afterwards, a methodologic deposition of CRUSHING’s writing is made, a limited series part of the genre dramedy, developed for the streaming era, constituting the practical component of the project. Centering on the process of the genesis of the series and on the production of the elements that form the sale package: script of pilot-episode, treatment of the season and bible of the series.
Description
Trabalho de projeto
Keywords
Argumento Séries Streaming Binge-watching Serialização narrativa Cliffhanger Screenwriting Series Narrative serialization