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| 1.39 MB | Adobe PDF |
Advisor(s)
Abstract(s)
O estágio é referente a um espetáculo de teatro o Fado Alexandrino, produzido e com estreia no Teatro Nacional São João, com a direção de Nuno Cardoso, onde trabalhei como assistente de encenação. Quando tive que dar um nome ao estágio, pensei no que me inquietava: o método de criação e também que este projeto se tratava da adaptação de um romance para teatro e surgiu expressão de cena. Processos de criação vistos do (não) lugar do assistente de encenação.
Este relatório aborda um pouco do que foi a minha vivência ao longo destes seis meses desde a primeira reunião com o encenador, criativos e produção. Seria impossível traduzir todo o trabalho, questões, pensamento, inquietações, descobertas, conquistas num documento. Este que passo a apresentar tem uma estrutura entrecortada com fases do processo, excertos do meu diário de bordo, as minhas funções, questões e análise do livro. Tal como a estrutura da narrativa da obra e do espetáculo de teatro Fado Alexandrino.
The internship refers to a theater show, Fado Alexandrino, produced and premiered at Teatro Nacional São João, directed by Nuno Cardoso, where I worked as an assistant director. When I had to give a name to the internship, I thought about what worried me: the method of creation and also that this project was about the adaptation of a novel for the theater and that it came up with the expression of the scene. Creation processes seen from the (non) location of the assistant director. This report addresses a little of what was my experience over these six months since the first meeting with the director, creatives and production. It would be impossible to translate all the work, questions, thoughts, concerns, discoveries, achievements into a document. This one that I present has a structure interspersed with phases of the process, excerpts from my storyboard, my functions, questions and analysis of the book. As well as the structure of the narrative of the work and the theatre show Fado Alexandrino.
The internship refers to a theater show, Fado Alexandrino, produced and premiered at Teatro Nacional São João, directed by Nuno Cardoso, where I worked as an assistant director. When I had to give a name to the internship, I thought about what worried me: the method of creation and also that this project was about the adaptation of a novel for the theater and that it came up with the expression of the scene. Creation processes seen from the (non) location of the assistant director. This report addresses a little of what was my experience over these six months since the first meeting with the director, creatives and production. It would be impossible to translate all the work, questions, thoughts, concerns, discoveries, achievements into a document. This one that I present has a structure interspersed with phases of the process, excerpts from my storyboard, my functions, questions and analysis of the book. As well as the structure of the narrative of the work and the theatre show Fado Alexandrino.
Description
Keywords
Processos de criação Escrita de cena Teatro Encenação Obra Creative processes Scene writing Theatre Staging Piece