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Authors
Abstract(s)
Apesar das suas características, o violino tem sido utilizado como instrumento polifónico por inúmeras vezes ao longo da história da música. Foi, por isto, necessário criar um conjunto de práticas interpretativas, que se foram adaptando às necessidades dos diferentes discursos e estéticas, e que aqui pretendemos sistematizar.
Uma contextualizada perspetiva histórica, do instrumento e do repertório, revela os caminhos de um desenvolvimento que é, também, pedagógico e social.
A sistematização de modelos de execução de acordes e de alguns princípios básicos da interpretação do texto polifónico apontam para soluções sóbrias que se afastam da necessidade de simultaneidade harmónica, tão desejada nos Séculos XIX e XX.
Despite its features, the violin has been used as a polyphonic instrument numerous times throughout the history of music. It was, therefore, necessary to create a set of interpretative practices, which were adapted to the needs of different discourses and aesthetic, and that here we systematize. A contextualized historical perspective, the instrument and repertoire, shows the paths of development that is also educational and social. The systematization of execution models of chords and some basic principles of interpretation of the polyphonic text suggests solutions that deviate from the need for simultaneous harmonic, as desired in the nineteenth and twentieth century’s.
Despite its features, the violin has been used as a polyphonic instrument numerous times throughout the history of music. It was, therefore, necessary to create a set of interpretative practices, which were adapted to the needs of different discourses and aesthetic, and that here we systematize. A contextualized historical perspective, the instrument and repertoire, shows the paths of development that is also educational and social. The systematization of execution models of chords and some basic principles of interpretation of the polyphonic text suggests solutions that deviate from the need for simultaneous harmonic, as desired in the nineteenth and twentieth century’s.
Description
Keywords
Acordes Polifonia Violino solo Chords Polyphony Solo violin