A carregar...
Publicação
Laboratório artístico colaborativo: a criação conjunta e a sua relevância para o cruzamento disciplinar das artes do espetáculo
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 10.21 MB | Adobe PDF |
Orientador(es)
Resumo(s)
A presente dissertação propõe uma reflexão crítico-prática sobre o laboratório artístico colaborativo enquanto território de emancipação criativa e descentralização do gesto composicional nas artes do espetáculo. Partindo da premissa de que a prática artística contemporânea exige a revisão das suas estruturas internas de poder e das especializações estanques, investiga-se um modelo de cocriação fluido e não-hierárquico entre a composição musical, a coreografia e a encenação. Metodologicamente, o estudo fundamenta-se na Investigação Baseada na Prática Artística, tomando como referência analítica a experiência prévia vivenciada no também projeto laboratorial Jovens Compositores nos Estúdios Victor Córdon (JC-EVC 2025). Esta abordagem é operacionalizada e testada na preparação e estruturação da obra para este efeito criada – Cenas Delicadas, concebida através de uma residência artística híbrida e faseada. A obra configura-se como um dispositivo de intervenção crítica e satírica sobre fraturas da contemporaneidade tais como a guerra, a violência sexual, o antifeminismo, a instrumentalização da crise climática e o recrudescimento de ideologias autoritárias, fundindo-se sob o conceito agregador de “Homo minus sapiens”. Através do contraponto semiótico entre som, corpo e palavra, e amparado pelas perspetivas teóricas de Heiner Goebbels, o trabalho recusa a subordinação tradicional das artes performativas ao texto ou à partitura “fechada”. Por fim, mapeiam-se as condições logísticas, infraestruturais e de sustentabilidade financeira necessárias para transpor com sucesso este ecossistema colaborativo e horizontal do meio académico para o circuito profissional.
This dissertation proposes a critical-practical reflection on the collaborative artistic laboratory as a territory of creative emancipation and decentralization of the compositional gesture in the performing arts. Starting from the premise that contemporary artistic practice requires the revision of its internal power structures and watertight specializations, a fluid and non-hierarchical model of co-creation between musical composition, choreography and staging is investigated. Methodologically, the study is based on Research Based on Artistic Practice, taking as an analytical reference the previous experience lived in the also laboratory project “Jovens Compositores” (Young Composers) at Victor Córdon Studios (JC-EVC 2025). This approach is operationalized and tested in the preparation and structuring of the work created for this purpose – Delicate Scenes, conceived through a hybrid and phased artistic residency. The work is configured as a device for critical and satirical intervention on contemporary fractures such as war, sexual violence, anti-feminism, the instrumentalization of the climate crisis and the resurgence of authoritarian ideologies, merging under the aggregating concept of "Homo minus sapiens". Through the semiotic counterpoint between sound, body and word, and supported by the theoretical perspectives of Heiner Goebbels, the work refuses the traditional subordination of the performing arts to the text or the "closed" score. Finally, the logistical, infrastructural and financial sustainability conditions necessary to successfully transpose this collaborative and horizontal ecosystem from academia to the professional circuit are mapped.
This dissertation proposes a critical-practical reflection on the collaborative artistic laboratory as a territory of creative emancipation and decentralization of the compositional gesture in the performing arts. Starting from the premise that contemporary artistic practice requires the revision of its internal power structures and watertight specializations, a fluid and non-hierarchical model of co-creation between musical composition, choreography and staging is investigated. Methodologically, the study is based on Research Based on Artistic Practice, taking as an analytical reference the previous experience lived in the also laboratory project “Jovens Compositores” (Young Composers) at Victor Córdon Studios (JC-EVC 2025). This approach is operationalized and tested in the preparation and structuring of the work created for this purpose – Delicate Scenes, conceived through a hybrid and phased artistic residency. The work is configured as a device for critical and satirical intervention on contemporary fractures such as war, sexual violence, anti-feminism, the instrumentalization of the climate crisis and the resurgence of authoritarian ideologies, merging under the aggregating concept of "Homo minus sapiens". Through the semiotic counterpoint between sound, body and word, and supported by the theoretical perspectives of Heiner Goebbels, the work refuses the traditional subordination of the performing arts to the text or the "closed" score. Finally, the logistical, infrastructural and financial sustainability conditions necessary to successfully transpose this collaborative and horizontal ecosystem from academia to the professional circuit are mapped.
Descrição
Palavras-chave
Cruzamento disciplinar Composição Artes performativas Cocriação Teatro musical Disciplinary crossover Composition Performing arts Co-creation Music theater