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Publication
Bicha de Sete Cabeças. Eu como “ACT”or
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| 10.81 MB | Adobe PDF |
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Abstract(s)
A “Bicha de Sete Cabeças” dá nome a uma performance queer que procura suprir as inerentes lacunas do eterno processo enquanto artista performer, experimentando diferentes métodos de criação e modos de performance objetivando o desenvolvimento de uma dramaturgia própria através de uma ideia de “retalhos” ou “fragmentos” que parte muito do trabalho desenvolvido durante as unidades curriculares de Devising e Criação Cénica.
Poderíamos também chamar-lhe uma carta ao meu “eu” do passado, sobre todas as pessoas que travaram e ainda travam as mesmas lutas - é uma anamnese de que a liberdade é uma luta constante. Abordando, simultaneamente, o campo de estudos queer, através da premissa de que a história de um é a história de muitos, encorajando a contínua tentativa de uma constituição de histórias, arquivos e repertórios queer. Este esforço parte de uma convicção para a preservação e exploração da multiplicidade destas vivências através das artes cénicas. O número 7, referenciado no nome da performance é um número mágico que servirá como base para a construção de todo o argumento – 7 cenas, 7 partes de uma bicha.
“Bicha de Sete Cabeças” is the title of a queer performance that seeks to address the inherent gaps in the ongoing process of being a performance artist, experimenting with different creation methods and ways of performing with the goal of developing a unique dramaturgy through an idea of “patchwork” or “fragments”, largely stemming from the work developed during the curricular units of Devising and Stage Creation. It could also be seen as a letter to my former self, about all the people who have fought and still fight the same struggles – it is an anamnesis that freedom is a constant struggle. At the same time, it engages with the field of queer studies, through the premise that one person’s story is the story of many, encouraging the ongoing attempt to establish queer histories, archives, and repertoires. This effort is driven by a commitment to preserving and exploring the multiplicity of these experiences through the performing arts. The number 7, mentioned in the title of the performance, is a magical number that serves as the foundation for the entire narrative structure – 7 scenes, 7 parts of a queer being.
“Bicha de Sete Cabeças” is the title of a queer performance that seeks to address the inherent gaps in the ongoing process of being a performance artist, experimenting with different creation methods and ways of performing with the goal of developing a unique dramaturgy through an idea of “patchwork” or “fragments”, largely stemming from the work developed during the curricular units of Devising and Stage Creation. It could also be seen as a letter to my former self, about all the people who have fought and still fight the same struggles – it is an anamnesis that freedom is a constant struggle. At the same time, it engages with the field of queer studies, through the premise that one person’s story is the story of many, encouraging the ongoing attempt to establish queer histories, archives, and repertoires. This effort is driven by a commitment to preserving and exploring the multiplicity of these experiences through the performing arts. The number 7, mentioned in the title of the performance, is a magical number that serves as the foundation for the entire narrative structure – 7 scenes, 7 parts of a queer being.
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Keywords
Performance Autodescoberta Retalhos Queer Liberdade Bicha Self-discovery Patchwork Freedom Faggot