| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 1.29 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Este artigo pretende sublinhar a importância de entender a obra de Mário de Sá-
Carneiro através de uma leitura atenta da sua produção literária que não procura provas
da “veracidade” dessa leitura na biografia do poeta do Orpheu. Partindo de uma análise
do trabalho crítico de Fernando Cabral Martins, levanta-se a problemática de deturpar
uma análise de crítica literária com abordagens influenciadas por normas de história da
literatura que inserem a obra no seu contexto histórico, o que tem sido o caso na
recepção da obra de Sá-Carneiro, onde o mito do autor tende a ofuscar o seu legado
literário. Assim, este artigo questiona se em O Modernismo em Mário de Sá-Carneiro,
Fernando Cabral Martins consegue libertar a obra sá-carneiriana da sombra do poeta
biográfico, e oferece uma avaliação panorâmica da tradição crítica dedicada ao autor,
apontando para casos de interpretações que se prenderam com questões que ficam para
fora do texto, como tem sido o caso com a natureza homossexual da obra e do homem.
This article intends to analyse the importance of understanding the work of Mário de Sá-Carneiro through a close reading of his literary production that does not seek proof of the “veracity” of that reading in the biography of the Orpheu poet. Based on an analysis of the critical work of Fernando Cabral Martins, the article raises the problematic question of corrupting literary criticism with approaches influencedby literary historical conventions that insert the work in its historical context, which has been the case in the reception of Mário de Sá-Carneiro’s work, where the myth of the author has tended to obfuscate his literary legacy. Therefore, this article questions whether in O Modernismo em Mário de Sá-Carneiro, Fernando Cabral Martins manages to liberate Sá-Carneiro’s work from the shadow of the biographical poet, and it offers a panoramic assessment of the critical tradition dedicated to the author, identifying cases of interpretations that are caught up in questions that lie outside the text, as has been the case of the homosexual nature of the work and the man.
This article intends to analyse the importance of understanding the work of Mário de Sá-Carneiro through a close reading of his literary production that does not seek proof of the “veracity” of that reading in the biography of the Orpheu poet. Based on an analysis of the critical work of Fernando Cabral Martins, the article raises the problematic question of corrupting literary criticism with approaches influencedby literary historical conventions that insert the work in its historical context, which has been the case in the reception of Mário de Sá-Carneiro’s work, where the myth of the author has tended to obfuscate his literary legacy. Therefore, this article questions whether in O Modernismo em Mário de Sá-Carneiro, Fernando Cabral Martins manages to liberate Sá-Carneiro’s work from the shadow of the biographical poet, and it offers a panoramic assessment of the critical tradition dedicated to the author, identifying cases of interpretations that are caught up in questions that lie outside the text, as has been the case of the homosexual nature of the work and the man.
Description
Keywords
História da literatura Biografia Fernando Cabral Martins Modernismo Crítica literária Biography Modernism Literary criticism Literary history
Citation
Publisher
Instituto Politécnico do Porto. Instituto Superior de Contabilidade e Administração do Porto