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Abstract(s)
Charles Valentin Alkan é um dos virtuosos esquecidos do séc. XIX, tendo sobrevivido apenas em algumas histórias da música para piano. A sua obra é, apesar disso, particularmente interessante, tanto pelo seu pianismo transcendental como também pelas idiossincrasias e vanguardismos do seu estilo musical.
Este projeto é constituído por três capítulos. O primeiro faz uma breve biografia do compositor a partir da literatura pré-existente. O segundo analisa a relação musical e pessoal que estabeleceu com Chopin, por um lado e com Liszt, por outro. Finalmente, o último identifica os aspetos mais vanguardistas da obra de Alkan, tanto do ponto de vista puramente compositivo, como do mais idiomaticamente pianístico.
Charles Valentin Alkan is one of the forgotten virtuosos of the 20th century, having only survived in a few histories of piano music. His work is nonetheless particularly interesting, thanks to a transcendental pianism, as well as to the idiosyncrasies and avant-garde features of his musical style. This project consists of three chapters. The first is a short biography of the composer based on the existing literature. The second analyzes his musical and personal relationship with Chopin, on the one hand and with Liszt, on the other. Finally, the last identifies the most avant-garde aspects of Alkan's work from a purely compositional point of view and from the more idiomatic prespective of pianism.
Charles Valentin Alkan is one of the forgotten virtuosos of the 20th century, having only survived in a few histories of piano music. His work is nonetheless particularly interesting, thanks to a transcendental pianism, as well as to the idiosyncrasies and avant-garde features of his musical style. This project consists of three chapters. The first is a short biography of the composer based on the existing literature. The second analyzes his musical and personal relationship with Chopin, on the one hand and with Liszt, on the other. Finally, the last identifies the most avant-garde aspects of Alkan's work from a purely compositional point of view and from the more idiomatic prespective of pianism.
Description
Keywords
Alkan Vanguardismo Chopin Liszt Atonalidade Impressionismo Politonalidade Avant-gard Atonality Impressionism Politonality