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Authors
Abstract(s)
A presente dissertação surge no contexto da criação artística musical e pretende abranger um campo de possibilidades na exploração das relações entre os processos de composição musical e a experiência artística conduzida a partir da criação musical para as outras artes, recorrendo para tal à produção de conhecimento de significativa importância para mim no processo de coesão e competência artísticas.
No contexto de processos relacionais múltiplos, é pretendido questionar dentro da criação musical, o limiar da ação ao nível do espaço, do movimento e do visual, em interligação com, entre outros, o instrumentista, o ator e o autor. Coloca-se assim em perspetiva o binómio da realidade espacial e do mundo visual, duas componentes em correlação musical.
Numa atitude expansível de conhecimento e que em nada deveria ser fragmentária, como compositor, ao encontro dos meus interesses sobre a performance artística, é imperativo perceber a minha prática que coloca todas estas condicionantes em discussão, à emergência de um caminho confrontado com outros anteriormente percorridos.
This thesis emerges in the context of musical and artistic creation with the intent to cover a field of possibilities for the exploration of the relationships between the processes of musical composition and artistic experience, driven from the musical creation to the other arts, producing knowledge of significant importance to me in the process of cohesion and artistic competence. In the context of multiple relational processes is intended to question the music creation, the threshold of the action in some levels like space, movement and visual, while related to, among others, the instrumentalist, the actor and author. This raises the binomial prospective of the reality space and the visual world, two components in musical correlation. With an attitude of expandable knowledge, where nothing should be fragmentary, as a composer, on the encounter to meet my interests on the artistic performance, it is imperative to understand my practice that put all these conditions under discussion.
This thesis emerges in the context of musical and artistic creation with the intent to cover a field of possibilities for the exploration of the relationships between the processes of musical composition and artistic experience, driven from the musical creation to the other arts, producing knowledge of significant importance to me in the process of cohesion and artistic competence. In the context of multiple relational processes is intended to question the music creation, the threshold of the action in some levels like space, movement and visual, while related to, among others, the instrumentalist, the actor and author. This raises the binomial prospective of the reality space and the visual world, two components in musical correlation. With an attitude of expandable knowledge, where nothing should be fragmentary, as a composer, on the encounter to meet my interests on the artistic performance, it is imperative to understand my practice that put all these conditions under discussion.
Description
Keywords
Composição musical Espaço Movimento Visual Processos correlacionais Performance Music composition Space Movement Correlational processes