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Narrativa e duração face à solastalgia
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Orientador(es)
Resumo(s)
Nesta dissertação procuro inquirir acerca de algumas problemáticas da sociedade e da música contemporâneas, a partir de autores como Byung-Chul Han e Mark Fisher. Nesse sentido, tento perceber como a Narrativa, a partir de conceitos benjaminianos, e a Duração, explorada por Bergson, poderão ser úteis para uma prática musical mais significativa, ao arrepio da actual corrente que privilegia a aceleração e a exacerbação de estímulos. Trata-se de confrontar o sentimento de solastalgia que o actual contexto musical me provoca.
In this dissertation, I try to investigate some of the problems of contemporary society and music, based on authors such as Byung-Chul Han and Mark Fisher. As such, I try to understand how Narrative, based on benjaminian concepts, and Duration, explored by Bergson, can be useful to a more meaningful musical practice, contrary to the current trend that favors acceleration and the exacerbation of stimuli. It is about confronting the feeling of solastalgia that the current musical context provokes in me.
In this dissertation, I try to investigate some of the problems of contemporary society and music, based on authors such as Byung-Chul Han and Mark Fisher. As such, I try to understand how Narrative, based on benjaminian concepts, and Duration, explored by Bergson, can be useful to a more meaningful musical practice, contrary to the current trend that favors acceleration and the exacerbation of stimuli. It is about confronting the feeling of solastalgia that the current musical context provokes in me.
Descrição
Palavras-chave
Narração Duração Solastalgia Sociedade Silêncio Escuta Pós-modernismo Narrative Duration Society Silence Listening Post-modernism