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A interpretação pianística na obra Sanlúcar de Barrameda de Joaquín Turina (1882-1949) e as tendências composicionais de âmbito nacionalista
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Esta dissertação apresenta um estudo analítico e interpretativo da obra Sanlúcar de Barrameda, Op. 24, do compositor espanhol Joaquín Turina (1882–1949), com o objetivo de identificar e compreender os elementos nacionalistas presentes na obra e a forma como estes se refletem nas diferentes interpretações gravadas. Através de uma metodologia qualitativa, a investigação conjuga a análise de partitura com a audição comparativa de gravações comerciais, aplicando um conjunto de parâmetros de avaliação na performance adaptados da literatura existente. O estudo explora a influência do folclore andaluz, da flexibilidade modal, dos padrões rítmicos e das texturas inspiradas na guitarra na escrita pianística de Turina. Os resultados demonstram que a estética nacionalista desempenha um papel central na construção da obra e na sua execução, sublinhando a importância de uma interpretação informada na transmissão das dimensões poéticas e evocativas da música nacionalista espanhola. Esta investigação propõe ainda um modelo sistematizado que poderá apoiar intérpretes e docentes na abordagem de repertório musical enraizado na identidade cultural.
This dissertation presents an analytical and interpretative study of Sanlúcar de Barrameda, Op. 24, by Spanish composer Joaquín Turina (1882–1949), with the aim of identifying and understanding the nationalist elements embedded in the work and how they are reflected in different recorded interpretations. Drawing on a qualitative methodology, the research combines score analysis with the comparative listening of commercial recordings, applying a set of performance assessment parameters adapted from existing literature. The study explores the influence of Andalusian folklore, modal flexibility, rhythmic patterns, and guitar-inspired textures in Turina’s piano writing. The results demonstrate that nationalist aesthetics play a central role in shaping both the composition and its performance, and highlight the importance of informed interpretation in conveying the poetic and evocative dimensions of Spanish nationalist music. This investigation also proposes a systematic framework that may assist performers and educators in engaging more deeply with musical repertoire rooted in cultural identity.
This dissertation presents an analytical and interpretative study of Sanlúcar de Barrameda, Op. 24, by Spanish composer Joaquín Turina (1882–1949), with the aim of identifying and understanding the nationalist elements embedded in the work and how they are reflected in different recorded interpretations. Drawing on a qualitative methodology, the research combines score analysis with the comparative listening of commercial recordings, applying a set of performance assessment parameters adapted from existing literature. The study explores the influence of Andalusian folklore, modal flexibility, rhythmic patterns, and guitar-inspired textures in Turina’s piano writing. The results demonstrate that nationalist aesthetics play a central role in shaping both the composition and its performance, and highlight the importance of informed interpretation in conveying the poetic and evocative dimensions of Spanish nationalist music. This investigation also proposes a systematic framework that may assist performers and educators in engaging more deeply with musical repertoire rooted in cultural identity.
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Joaquín Turina Nacionalismo espanhol Piano Interpretação pianística Sanlúcar de Barrameda Folclore andaluz Flamenco Análise musical Spanish nationalism Piano interpretation Andalusian folklore Musical analysis