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Publication
A relação entre música e teatro: considerações sobre a minha prática
| Name: | Description: | Size: | Format: | |
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| 2.99 MB | Adobe PDF |
Authors
Abstract(s)
Esta dissertação aborda a relação entre música e teatro no contexto do Music Theater, analisando e explorando os seus elementos musicais e cénicos que integram esta relação interdisciplinar. Como parte desta pesquisa, propõe-se estabelecer ideias para a minha prática pessoal tendo em conta as diferentes abordagens de compositores e as suas respetivas obras, como por exemplo Mauricio Kagel, John Cage e Heiner Goebbels. Durante a investigação serão abordados três conceitos teóricos de Michel Chion – ‘empatia’, ‘anempatia’ e ‘abstração’ – tomando uma melhor compreensão sobre as dinâmicas e perceções entre os elementos artísticos envolvidos: som, gesto, luz, texto, etc. O trabalho culminará na criação de uma peça original de music theater que põe em prática o material de estudo.
This dissertation addresses the relationship between music and theatre in the context of musical theatre, analysing and exploring the musical and scenic elements that make up this interdisciplinary relationship. As part of this research, I propose to establish ideas for my personal practice, considering the different approaches of composers and their respective works, such as Mauricio Kagel, John Cage, and Heiner Goebbels. During the research, three theoretical concepts by Michel Chion will be addressed – “empathy”, “anempathy” and “abstraction” – providing a better understanding of the dynamics and perceptions between the artistic elements involved: sound, gesture, light, text, etc. The work will culminate in the creation of an original musical theatre piece that puts the study material into practice.
This dissertation addresses the relationship between music and theatre in the context of musical theatre, analysing and exploring the musical and scenic elements that make up this interdisciplinary relationship. As part of this research, I propose to establish ideas for my personal practice, considering the different approaches of composers and their respective works, such as Mauricio Kagel, John Cage, and Heiner Goebbels. During the research, three theoretical concepts by Michel Chion will be addressed – “empathy”, “anempathy” and “abstraction” – providing a better understanding of the dynamics and perceptions between the artistic elements involved: sound, gesture, light, text, etc. The work will culminate in the creation of an original musical theatre piece that puts the study material into practice.
Description
Keywords
Music theater Elementos artísticos Cénico Musical Kagel Cage Goebbels Chion Empatia Anempatia Abstração Prática Musical theatre Artistic elements Scenic Empathy Anempathy Abstraction Practice