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Authors
Abstract(s)
Pretende-se, com este projeto de dissertação, expor o processo de criação de uma obra musical original, Calendulário. Este processo teve como inspiração o pensamento morfológico descrito por J. von Goethe em A Metamorfose das Plantas. É neste texto que encontro uma reflexão analítica e poética, por parte do autor, daqueles que são os princípios criadores que vivem no lugar entre a fixação da forma e a acção que a desenvolve. Pretendo, então, elencar, detalhar, aplicar e experienciar os aspectos da metamorfose ao processo criativo — a que chamarei Form(a)ção Criadora.
Para a elaboração deste trabalho, parto de quatro vias teóricas, que compreendem o organicismo e unidade na música, o pensamento morfológico de Goethe, o fragmento literário de Schlegel e a escuta meditativa de Miguel Ribeiro-Pereira. Estes quatro momentos configuram as sementes teóricas que orientam a revisão poiética de Calendulário.
The aim of this dissertation project is to explain the process of creating an original musical work, Calendulário. This process was inspired by the morphological thinking described by J. von Goethe in The Metamorphosis of Plants. It is in this text that I find an analytical and poetic reflection, on the part of the author, of those creative principles that live in the place between the fixation of form and the action that develops it. I therefore intend to list, detail, apply and experience the aspects of metamorphosis in the creative process - which I will call Creative Formation. To prepare this work, I'm starting from four theoretical paths, which include organicism and unity in music, Goethe's morphological thinking, Schlegel's literary fragment and Miguel Ribeiro-Pereira's meditative listening. These four moments form the theoretical seeds that guide the poetic revision of Calendulário.
The aim of this dissertation project is to explain the process of creating an original musical work, Calendulário. This process was inspired by the morphological thinking described by J. von Goethe in The Metamorphosis of Plants. It is in this text that I find an analytical and poetic reflection, on the part of the author, of those creative principles that live in the place between the fixation of form and the action that develops it. I therefore intend to list, detail, apply and experience the aspects of metamorphosis in the creative process - which I will call Creative Formation. To prepare this work, I'm starting from four theoretical paths, which include organicism and unity in music, Goethe's morphological thinking, Schlegel's literary fragment and Miguel Ribeiro-Pereira's meditative listening. These four moments form the theoretical seeds that guide the poetic revision of Calendulário.
Description
Keywords
Morfologia Goethe Organicismo Fragmento Schlegel Escuta meditativa Ribeiro-Pereira Morfology Organicism Fragment Meditative listening