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Authors
Abstract(s)
Esta pesquisa, A Poética do Equilíbrio: O Método Kum Nye na Criação Artística, trata da análise dos resultados da experimentação e aplicação do método Kum Nye na direção de atores em três fases de uma experiência, que resultam em três montagens distintas de “A Troiana Hécuba”, criada a partir da tragédia grega “As Troianas”, de Eurípides. A experimentação e sistematização deste método com atores profissionais, formandos e amadores oriundos de diversas áreas, de variadas escolas e de diferentes fazeres teatrais, tem início em 2013, no primeiro e segundo ano do mestrado, com duas fases, na cidade do Porto-Portugal. No ano seguinte, a análise e a construção do método são aprofundadas e aplicadas em mais um experimento artístico com atores profissionais, na cidade do Recife-Brasil. A pesquisa do Kum Nye para e na criação cénica é um trabalho estruturado e baseado nas competências técnicas ao nível de corpo, voz, mente, energia e interpretação, que se desenvolve enquanto experimentos dramáticos através de exercícios específicos do Kum Nye, pretendendo que o ator amplie a sua atitude reflexiva nas descobertas dos centros energéticos da vivência teatral a partir do equilíbrio. A prática do Kum Nye requer honestidade e aceitação, paciência e disciplina e, principalmente, disponibilidade para o desconhecido, deixando o praticante perceber como, e até que ponto, este método pode aprimorar de forma subtil a interpretação versátil dos atores. Concluindo, nesta pesquisa, ao pretender consolidar informação e conhecimento, experimenta-se o Kum Nye com um leque variado de atores, tendo como principal objetivo a estruturação de uma metodologia, a qual pretende ser aplicada e difundida tanto na direção de atores como na própria criação artística.
This research, The Poetics of Balance: The Kum Nye method in Artistic Creation, deals with the analysis of the results of the testing and implementation of Kum Nye method in actors’ direction in three phases of an experiment, resulting in three distinct productions of "The Trojan Hecuba", created from the Greek tragedy "The Trojan Women" by Euripides. Experimentation and systematization of this method with professional actors, students and amateurs coming from different areas, different schools and different theater doings, starts in 2013, in the first and second year of the master’s degree, with two stages, in Porto-Portugal . The following year, the analysis and the construction of the method are studied and applied in another artistic experiment with professional actors, in Recife, Brazil. Kum Nye's research for, and in, the scenic creation is a structured work and based on the technical competences at body, voice, mind, energy and performance level, that develops, as dramatic experiments, through specific exercises of Kum Nye, intended for the actor to expand his reflexive attitude while discovering the energy centers of the theatrical experience starting from the balance. Kum Nye’s practice requires honesty and acceptance, patience and discipline, and, mainly, availability to the unknown, letting the trainee realize how, and to what extent, this method can improve, in a subtle way, a versatile actors’ performance. In conclusion, in this research, we want to consolidate information and knowledge, training to work with Kum Nye with a wide range of actors, where the main objective is to structure a methodology, which aims to be applied and deployed both in the direction of actors as in own artistic creation. While intending to consolidate information and knowledge, Kum Nye is tried with a varied range of actors, having as main goal the structuring of a methodology, which intends to be applied and spread both in actors' direction and in artistic creation itself.
This research, The Poetics of Balance: The Kum Nye method in Artistic Creation, deals with the analysis of the results of the testing and implementation of Kum Nye method in actors’ direction in three phases of an experiment, resulting in three distinct productions of "The Trojan Hecuba", created from the Greek tragedy "The Trojan Women" by Euripides. Experimentation and systematization of this method with professional actors, students and amateurs coming from different areas, different schools and different theater doings, starts in 2013, in the first and second year of the master’s degree, with two stages, in Porto-Portugal . The following year, the analysis and the construction of the method are studied and applied in another artistic experiment with professional actors, in Recife, Brazil. Kum Nye's research for, and in, the scenic creation is a structured work and based on the technical competences at body, voice, mind, energy and performance level, that develops, as dramatic experiments, through specific exercises of Kum Nye, intended for the actor to expand his reflexive attitude while discovering the energy centers of the theatrical experience starting from the balance. Kum Nye’s practice requires honesty and acceptance, patience and discipline, and, mainly, availability to the unknown, letting the trainee realize how, and to what extent, this method can improve, in a subtle way, a versatile actors’ performance. In conclusion, in this research, we want to consolidate information and knowledge, training to work with Kum Nye with a wide range of actors, where the main objective is to structure a methodology, which aims to be applied and deployed both in the direction of actors as in own artistic creation. While intending to consolidate information and knowledge, Kum Nye is tried with a varied range of actors, having as main goal the structuring of a methodology, which intends to be applied and spread both in actors' direction and in artistic creation itself.
Description
Keywords
Ator Kum Nye Interpretação Direção de ator Criação artística Actor Performance Actor’s direction Artistic creation