Loading...
Publication
Marcos Portugal e a ópera europeia da época
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 829.67 KB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Este projeto de investigação explora o Bel Canto, destacando a exigência técnica e estilística necessária para sua execução, bem como a escolha de repertório que melhor se adapta às minhas características vocais. Privilegiando compositores portugueses, a pesquisa inicia-se com Marcos Portugal e a ária Per amar abbiamo il core, cuja ligação foi percebida através de semelhanças com Mozart, compositor de preferência pessoal. A ideia surgiu após um espetáculo da ESMAE no Teatro São João e levou à ampliação do repertório para incluir também obras de Mozart, Donizetti e Bellini.
O trabalho é estruturado em vários capítulos: uma introdução histórica sobre ópera e Bel Canto; a metodologia da investigação; uma análise das personagens das árias escolhidas, contextualizando o enredo e as necessidades técnicas e emocionais; e, por fim, uma análise performativa que relaciona o contexto das óperas, o perfil das personagens e as interpretações de artistas renomadas como Diana Damrau, Anna Netrebko e Mariella Devia, culminando com reflexões sobre as minhas próprias ideias interpretativas.
As conclusões destacam que o estudo detalhado do contexto histórico, do perfil psicológico das personagens e da observação de performances internacionais contribui para um aprimoramento significativo na qualidade interpretativa e técnica.
This research project explores Bel Canto, focusing on the technical and stylistic demands required to perform it, as well as the choice of repertoire that best suits my vocal characteristics. Prioritizing portuguese composers, the research began with Marcos Portugal and the aria Per amar abbiamo il core, whose connection was perceived through similarities with Mozart, a composer of personal preference. The idea arose after an ESMAE performance at the São João Theatre and led to the repertoire being expanded to include works by Mozart, Donizetti and Bellini. The work is structured in several chapters: a historical introduction to opera and Bel Canto; the research methodology; an analysis of the characters in the chosen arias, contextualizing the plot and the technical and emotional requirements; and finally, a performative analysis that relates the context of the operas, the profile of the characters and the interpretations of renowned artists such as Diana Damrau, Anna Netrebko and Mariella Devia, culminating in reflections of my own interpretative ideas. The conclusions emphasize that the detailed study of the historical context, the psychological profile of the characters and the observation of international performances contributes to a significant improvement in the interpretative and technical quality.
This research project explores Bel Canto, focusing on the technical and stylistic demands required to perform it, as well as the choice of repertoire that best suits my vocal characteristics. Prioritizing portuguese composers, the research began with Marcos Portugal and the aria Per amar abbiamo il core, whose connection was perceived through similarities with Mozart, a composer of personal preference. The idea arose after an ESMAE performance at the São João Theatre and led to the repertoire being expanded to include works by Mozart, Donizetti and Bellini. The work is structured in several chapters: a historical introduction to opera and Bel Canto; the research methodology; an analysis of the characters in the chosen arias, contextualizing the plot and the technical and emotional requirements; and finally, a performative analysis that relates the context of the operas, the profile of the characters and the interpretations of renowned artists such as Diana Damrau, Anna Netrebko and Mariella Devia, culminating in reflections of my own interpretative ideas. The conclusions emphasize that the detailed study of the historical context, the psychological profile of the characters and the observation of international performances contributes to a significant improvement in the interpretative and technical quality.
Description
Keywords
Bel Canto Ópera Marcos Portugal Mozart Donizetti Bellini Soprano