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Advisor(s)
Abstract(s)
Tocar trompa natural hoje em dia pode parecer algo que nĆ£o faz muito sentido, ainda mais quando o instrumento atingiu um estado de desenvolvimento tĆ£o evoluĆdo, que praticamente podemos construir a trompa que pretendemos de acordo com as nossas preferĆŖncias. Vivemos na era das trompas descantes e triplas, e tocar um instrumento praticamente āobsoletoā pode parecer uma enorme perda de tempo. Com este projeto, pretendo demonstrar que isso nĆ£o Ć© de todo verdade e que o contacto do trompista moderno com a trompa natural traz imensas vantagens.
Being able to play the natural horn nowadays seems like something that doesn't make much sense, especially when the instrument has reached a state of development so evolved, that we can practically build our concept of horn, according to our preferences. We currently live in the era of descant and triple horns, and playing an "obsolete" instrument could feel like a huge waste of our precious time. With this project, I intend to demonstrate that this is not entirely true and that the contact of the modern horn player with the natural horn brings a lot of advantages.
Being able to play the natural horn nowadays seems like something that doesn't make much sense, especially when the instrument has reached a state of development so evolved, that we can practically build our concept of horn, according to our preferences. We currently live in the era of descant and triple horns, and playing an "obsolete" instrument could feel like a huge waste of our precious time. With this project, I intend to demonstrate that this is not entirely true and that the contact of the modern horn player with the natural horn brings a lot of advantages.
Description
Keywords
Trompa natural Trompa moderna MĆŗsica Natural horn Modern horn Music