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Advisor(s)
Abstract(s)
O projeto Coexistências Transtemporais tem como objetivo refletir sobre a forma como o tempo se inscreve na paisagem, partindo através de processos investigativos e criativos da relação entre cartografia e imagem fotográfica. Tendo por base plantas militares elaboradas por Manuel Pinto de Vilalobos no início do século XVIII, foram revisitados os territórios por ele cartografados, com especial atenção às povoações fortificadas junto ao rio Minho.
Através da observação desses lugares no presente, procurou-se analisar como diferentes épocas coexistem no mesmo espaço, tanto nas formas construídas como nos vestígios que permanecem ou desaparecem. A paisagem (real ou construída) foi, aqui, entendida como um palimpsesto, onde camadas sucessivas de tempo se acumulam, se apagam parcialmente e se reescrevem. A fotografia foi utilizada como meio para observar, comparar e relacionar essas camadas temporais, revelando contrastes, permanências e transformações.
O trabalho combina investigação teórica com prática visual, propondo uma leitura do território como um lugar de cruzamento entre passado e presente e a fotografia como uma forma de elaborar memórias e chamar a atenção sobre o que não é percetível.
The “Coexistências Transtemporais” (Transtemporal Coexistences) project aims to reflect on how time is inscribed in the landscape, using investigative and creative processes to explore the relationship between cartography and photographic images. Based on military plans drawn up by Manuel Pinto de Vilalobos at the beginning of the 18th century, the territories he mapped were revisited, with special attention to the fortified settlements along the River Miño. By observing these places in the present, the aim was to analyse how different eras coexist in the same space, both in the built forms and in the traces that remain or disappear. The landscape (real or built) was understood here as a palimpsest, where successive layers of time accumulate, are partially erased and rewritten. Photography was used as a means of observing, comparing and relating these temporal layers, revealing contrasts, permanence and transformations. This work combines theoretical research with visual work, proposing a reading of the territory as a field where past and present intersect and photography as a way of elaborating memories and drawing attention to what is not perceptible.
The “Coexistências Transtemporais” (Transtemporal Coexistences) project aims to reflect on how time is inscribed in the landscape, using investigative and creative processes to explore the relationship between cartography and photographic images. Based on military plans drawn up by Manuel Pinto de Vilalobos at the beginning of the 18th century, the territories he mapped were revisited, with special attention to the fortified settlements along the River Miño. By observing these places in the present, the aim was to analyse how different eras coexist in the same space, both in the built forms and in the traces that remain or disappear. The landscape (real or built) was understood here as a palimpsest, where successive layers of time accumulate, are partially erased and rewritten. Photography was used as a means of observing, comparing and relating these temporal layers, revealing contrasts, permanence and transformations. This work combines theoretical research with visual work, proposing a reading of the territory as a field where past and present intersect and photography as a way of elaborating memories and drawing attention to what is not perceptible.
Description
Trabalho de projeto
Keywords
Cartografia histórica Território Fotografia Paisagem Palimpsesto Historical cartography Territory Photography Landscape Palimpsest