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Authors
Abstract(s)
Este trabalho de conclusão de mestrado explora a (des)ornamentação dos motetes de Philippe de Vitry (1291-1361) através do prisma do Codex Robertsbridge, a primeira fonte específica para instrumentos de tecla do século XIV. O estudo faz parte do projeto mais amplo "Chanter les motets du Phillipe de Vitry", dirigido por David Chappuis. Focalizando nas ornamentações ou "flores" presentes no Robertsbridge, o trabalho examina os processos históricos de contraponto e ornamentação, bem como mecanismos de leitura e afinação da época. Por meio de três laboratórios musicais, o trabalho documenta e analisa a aplicação desses conceitos com o objetivo de desenvolver uma metodologia pedagógica futura e compreender melhor as técnicas da época do Ars Nova. Os resultados fornecem ferramentas para experimentação baseada em fundamentos históricos e contribuem para uma reflexão crítica sobre o estado atual dos conhecimentos musicológicos e as possibilidades de expressão artística e performática.
This Master's thesis explores the (de)ornamentation of Philippe de Vitry's (1291-1361) motets through the lens of the 14th-century Robertsbridge Codex, the first specific source for keyboard instruments. The study is part of the broader "Chanter les motets du Phillipe de Vitry" project led by David Chappuis. Focusing on the ornamentations or "flores" in the Codex, the work examines historical counterpoint and ornamentation processes, as well as reading and tuning mechanisms of the time. Through three musical laboratories, the work documents and analyses the application of these concepts with the aim of developing a future pedagogical methodology and better understanding Ars Nova-era techniques. The results provide tools for experimentation based on historical foundations and contribute to a critical reflection on the current state of musicological knowledge and possibilities for artistic and performative expression.
This Master's thesis explores the (de)ornamentation of Philippe de Vitry's (1291-1361) motets through the lens of the 14th-century Robertsbridge Codex, the first specific source for keyboard instruments. The study is part of the broader "Chanter les motets du Phillipe de Vitry" project led by David Chappuis. Focusing on the ornamentations or "flores" in the Codex, the work examines historical counterpoint and ornamentation processes, as well as reading and tuning mechanisms of the time. Through three musical laboratories, the work documents and analyses the application of these concepts with the aim of developing a future pedagogical methodology and better understanding Ars Nova-era techniques. The results provide tools for experimentation based on historical foundations and contribute to a critical reflection on the current state of musicological knowledge and possibilities for artistic and performative expression.
Description
Keywords
Philippe de Vitry Motetos Robertsbridge Ars Nova Contraponto Ornamentação Laboratórios musicais Motets Robertsbridge Fragment Counterpoint Ornamentation Musical laboratories