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Abstract(s)
En esta tesis se hace un estudio comparativo de obras para percusión solista de ocho compositores españoles y portugueses nacidos en el siglo XX, agrupados por parejas según su década de nacimiento.
Para realizar el estudio comparativo se han hecho entrevistas a los compositores, un estudio biográfico de cada compositor y un estudio de sus obras para percusión solista.
Este trabajo pretende, también, conocer el grado de divulgación de las obras para percusión solista de los compositores seleccionados fuera de su país, pero dentro de la Península Ibérica, para lo cual se ha realizado una encuesta a percusionistas profesionales portugueses y españoles. La encuesta demostró que las obras de los compositores de la generación de 1950 han sido las más tocadas fuera del país de origen de cada uno de los compositores.
This thesis makes a comparative study of solo percussion pieces by eight Spanish and Portuguese composers born in the 20th century. Those composers have been grouped in pairs according to their decade of birth. To carry out the comparative study interviews have been made to the composers, as well as a biographical study of each one and a study of their works for solo percussion. Another goal of this thesis is to understand the degree of dissemination of the pieces for solo percussion by the selected composers out of their country but within the Iberian Peninsula, for which a survey to Portuguese and Spanish professional percussionists has been carried out. The survey showed that 1950s generation was the most performed outside the composer country of origin.
This thesis makes a comparative study of solo percussion pieces by eight Spanish and Portuguese composers born in the 20th century. Those composers have been grouped in pairs according to their decade of birth. To carry out the comparative study interviews have been made to the composers, as well as a biographical study of each one and a study of their works for solo percussion. Another goal of this thesis is to understand the degree of dissemination of the pieces for solo percussion by the selected composers out of their country but within the Iberian Peninsula, for which a survey to Portuguese and Spanish professional percussionists has been carried out. The survey showed that 1950s generation was the most performed outside the composer country of origin.
Description
Keywords
Percusión solista Compositores de la Península Ibérica Música contemporánea Estudio comparativo Solo percussion Iberian Peninsula Composers Contemporary music