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Abstract(s)
O presente trabalho trata as técnicas expansivas do clarinete e contém uma análise crítica dos principais manuais sobre o assunto.
Para sustentar este tema, decidi focar algumas obras para clarinete de Miguel Azguime que utilizam este tipo de técnicas. Para além disto, através da análise de conteúdo de duas entrevistas, uma ao compositor e outra ao clarinetista Nuno Pinto, gerar alguns conselhos sobre a sua execução e interpretação, visto que são opiniões de quem mais está familiarizado com as obras e com as técnicas expansivas nelas contidas. Esta dissertação tanto poderá servir para compositores que queiram futuramente compor música contemporânea para clarinete, na qual possam assim pesquisar recursos que mais se assemelhem com o resultado que idealizam, como para clarinetistas que estejam interessados na aprendizagem destas técnicas ou na performance das obras de Miguel Azguime.
Esta necessidade advém do facto de não existir uma verdade absoluta no que toca à execução de técnicas expansivas para os instrumentistas.
Em suma, com este trabalho visa analisar e esclarecer algumas das limitações do clarinete, bem como das suas imensas possibilidades, e para além disso, dar a conhecer a música fantástica de Miguel Azguime pela qual me apaixonei desde a primeira vez que a escutei.
The present work deals with the clarinet extended techniques and contains a critical analysis of the main manuals on the subject. To support this theme, I decided to focus on some works for clarinet by Miguel Azguime that use this type of techniques. In addition, through the content analysis of two interviews, one to the composer and another to the clarinetist Nuno Pinto, to generate some advice on its execution and interpretation, since they are opinions of those who are more familiar with the works and with the extended techniques contained therein. This dissertation may be useful for composers who want to compose contemporary music for clarinet in the future, in which they can search for resources that are more similar to the result they idealize, as well as clarinetists who are interested in learning these techniques or in the performance of works by Miguel Azguime. This need arises from the fact that there is no absolute truth regarding the implementation of extended techniques for instrumentalists. In short, this work aims to analyze and clarify some of the limitations of the clarinet, as well as its immense possibilities, and in addition to make known the fantastic music of Miguel Azguime for which I fell in love since the first time I listened.
The present work deals with the clarinet extended techniques and contains a critical analysis of the main manuals on the subject. To support this theme, I decided to focus on some works for clarinet by Miguel Azguime that use this type of techniques. In addition, through the content analysis of two interviews, one to the composer and another to the clarinetist Nuno Pinto, to generate some advice on its execution and interpretation, since they are opinions of those who are more familiar with the works and with the extended techniques contained therein. This dissertation may be useful for composers who want to compose contemporary music for clarinet in the future, in which they can search for resources that are more similar to the result they idealize, as well as clarinetists who are interested in learning these techniques or in the performance of works by Miguel Azguime. This need arises from the fact that there is no absolute truth regarding the implementation of extended techniques for instrumentalists. In short, this work aims to analyze and clarify some of the limitations of the clarinet, as well as its immense possibilities, and in addition to make known the fantastic music of Miguel Azguime for which I fell in love since the first time I listened.
Description
Keywords
Clarinete Técnicas expansivas Miguel Azguime No oculto profuso Son a ta demeure Derrière son double De part et d’autre Clarinet Extended techniques