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Abstract(s)
Esta dissertação tem como objetivo perceber de que forma a delimitação espacial no cinema afeta a realização e, por conseguinte, a mise-en-scène de um filme. Para tal, esta investigação utilizará o filme Rope (1948), de Alfred Hitchcock como estudo de caso, tentando, no processo, cartografar padrões, temáticas e estilísticas encontradas neste tipo de ‘cinema dos espaços fechados’, que invariavelmente invoca um cinema intimista, psicológico e voyeurista.
This dissertation intends to understand how spatial delimitation affects the mise-en-scène. Underpinning the relation between mise-en-scène and enclosed spaces, we use Alfred Hitchcock’s Rope (1948) as a case study, and also trying, in the process, mapping patterns, themes and stylistic approaches in this type of ‘cinema of enclosed spaces’, which invariably invoques a very intimate, psychological, voyeuristic kind of cinema.
This dissertation intends to understand how spatial delimitation affects the mise-en-scène. Underpinning the relation between mise-en-scène and enclosed spaces, we use Alfred Hitchcock’s Rope (1948) as a case study, and also trying, in the process, mapping patterns, themes and stylistic approaches in this type of ‘cinema of enclosed spaces’, which invariably invoques a very intimate, psychological, voyeuristic kind of cinema.
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Keywords
Mise-en-scène Espaços fechados Rope Alfred Hitchcock Intimismo Voyeurismo Enclosed spaces Intimacy Voyeurism