Publication
When space becomes art: making sense in an aleatory world
| dc.contributor.author | Marisa, Cláudia | |
| dc.date.accessioned | 2018-01-03T18:33:34Z | |
| dc.date.available | 2018-01-03T18:33:34Z | |
| dc.date.issued | 2013 | |
| dc.description.abstract | The aim of this paper is to discuss the concept of space as a site of ephemeral representations that gives us a glimpse of an aleatory artistic performance. Thus, one can conceive space as a representation of social relationships between people that are mediated by images. Consequently, it is through a physical space that people organise their own personal trajectory. Within this idea, one can argue that actions taking part in public spaces are performed according to shared rules within a known set of applications. Hence a polarisation effect is similar on a stage and on a daily life: there is always an interchange of roles between the “performer” (the promoter of the action) and the spectator (the witness of the action); and that interchange is crucial to the creation of a symbolic system. It appears that there is a semiotic and meaningful correspondence between scenic space (physical space of a performance) and other social spaces of representation. This paper proposes a phenomenological and aesthetic approach to “performative spaces”, suggesting implications and discussing various performative (concrete and fictional) places as scenic spaces of symbolic interaction. In doing so it confronts social-philosophical theories and multiple theatrical practices, proposing different ways to understand the concept of performance as a phylogenetic and cosmological experience. It also questions performance art as an event that promotes an interruption of daily-life routine and creates different perspectives of how life can be interpreted. | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.isbn | 978-989-96858-3-3 | |
| dc.identifier.uri | http://hdl.handle.net/10400.22/10688 | |
| dc.language.iso | eng | pt_PT |
| dc.peerreviewed | no | pt_PT |
| dc.publisher | Cineclube de Avanca/Universidade de Aveiro | pt_PT |
| dc.subject | Scenic space | pt_PT |
| dc.subject | Performance analysis | pt_PT |
| dc.subject | Performing art | pt_PT |
| dc.subject | Semiotics | pt_PT |
| dc.subject | Dramaturgy | pt_PT |
| dc.title | When space becomes art: making sense in an aleatory world | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Aveiro | pt_PT |
| oaire.citation.endPage | 424 | pt_PT |
| oaire.citation.startPage | 420 | pt_PT |
| oaire.citation.title | Avanca Cinema 2013 | pt_PT |
| person.familyName | Marisa | |
| person.givenName | Cláudia | |
| person.identifier.ciencia-id | 1A1C-234C-40E9 | |
| person.identifier.orcid | 0000-0002-0092-0187 | |
| rcaap.rights | closedAccess | pt_PT |
| rcaap.type | article | pt_PT |
| relation.isAuthorOfPublication | 599654b8-0858-46e8-b74f-2357b173390e | |
| relation.isAuthorOfPublication.latestForDiscovery | 599654b8-0858-46e8-b74f-2357b173390e |