| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 2.19 MB | Adobe PDF |
Authors
Abstract(s)
Este relatório de estágio busca evidenciar o processo de criação utilizado pela coreógrafa Andrea Gabilondo, nas suas criações de dança teatro e teatro físico. No presente trabalho, pretendo retratar como foi realizado o estágio no espaço La Marmita e de que forma foi concretizada a composição, a estruturação e o processo de criação dos dois solos de dança teatro – A Entrevista e Sara -, seguindo o método de trabalho da coreógrafa.
Inicialmente foi realizada uma contextualização teórica sobre a dança moderna e os coreógrafos que contribuíram para a sua evolução, para deste modo perceber a origem da dança teatro.
Este relatório tem como propósito essencial descrever o trabalho prático realizado no estágio, de que forma aconteceu a construção dos dois solos de dança teatro, e de todo o seu processo de criação sob a orientação da coreógrafa Andrea Gabilondo.
This internship report seeks to show the creation process used by choreographer Andrea Gabilondo in her creations of dance theater and physical theater. In this paper I intend to portray how the internship was carried out at La Marmita space and how the composition, the structure and the process of creating two dance theater solos were achieved following the method of work of the choreographer. Initially a theoretical contextualization about modern dance and the choreographers who have contributed to its evolution was done to thereby understand the origin of the dance theater. This report aims to speak of the practical work done on stage, how the construction of the two dance theater solos happened, and of the whole process of creation under the guidance of choreographer Andrea Gabilondo.
This internship report seeks to show the creation process used by choreographer Andrea Gabilondo in her creations of dance theater and physical theater. In this paper I intend to portray how the internship was carried out at La Marmita space and how the composition, the structure and the process of creating two dance theater solos were achieved following the method of work of the choreographer. Initially a theoretical contextualization about modern dance and the choreographers who have contributed to its evolution was done to thereby understand the origin of the dance theater. This report aims to speak of the practical work done on stage, how the construction of the two dance theater solos happened, and of the whole process of creation under the guidance of choreographer Andrea Gabilondo.
Description
Keywords
Dança moderna Dança teatro Corpo Movimento Modern dance Dance theatre Body Movement