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Abstract(s)
Corpo é ambiente, é natureza. Todas as matérias do ambiente passam pelo corpo, são fluidas, atravessam-no enquanto atravessa o mundo, sendo mundo, juntando-se às linhas que o tecem e misturando-se nelas.
Tecido nesta interdependência, o que acontece ao corpo em tempos de crise climática que tantos fins, urgências e determinismos arrasta consigo? Que narrativas e imaginários possibilitam movimento ou o
tolhem? Que (re)construções é possível pensar em momentos de desconstruções?
Numa abordagem performativa guiada pela prática, esta dissertação tece-se com uma investigação-criação de continuidade na qual é desenvolvida uma metodologia de repetição, revisitação e reciclagem onde se procura
interpelar binarismos natureza/cultura, mente/corpo, ser-humano/outro-não-humano. Apoiado nas propostas de malha de Tim Ingold, visão simpoiética de Donna J. Haraway e comum hídrico de Astrida Niemanis
o processo entrelaça-se em variados delineamentos teórico-metodológicos e práticas, em pós-humanismo, ecofeminismo, fenomenologia, estudos de performance ou movimento ecossomático, observando-se o que acontece neste corpo poroso, líquido e plástico, mais-que-humano, constantemente implicado e em co-relação, em fluxo constante de processos e (de)composições.
Body is environment, it is nature. All the materials in the environment pass through the body, they are fluid, they pass through it as it passes through the world, being the world, joining the lines that weave it and blending into them. Woven in this interdependence, what happens to the body in times of climate crisis that bring with it so many ends, urgencies and determinisms? What narratives and imaginaries make movement possible or hinder it? What (re)constructions is it possible to think about in moments of deconstructions? In a performative approach guided by practice, this dissertation is woven with an investigation-creation of continuity in which a methodology of repetition, revisiting and recycling is developed, which seeks to question nature/culture, mind/body, human-being/other-non-human binaries. Supported by the proposals of Tim Ingold's meshwork, Donna J. Haraway's sympoietic vision and Astrida Niemanis' hydrocommon, the process is intertwined in various theoretical-methodological outlinings and practices, in post-humanism, ecofeminism, phenomenology, performance studies or ecosomatic movement, while observing what happens in this more-than-human, porous, liquid and plastic body, constantly implicated and in co-relation, in a constant flux of processes and (de)compositions.
Body is environment, it is nature. All the materials in the environment pass through the body, they are fluid, they pass through it as it passes through the world, being the world, joining the lines that weave it and blending into them. Woven in this interdependence, what happens to the body in times of climate crisis that bring with it so many ends, urgencies and determinisms? What narratives and imaginaries make movement possible or hinder it? What (re)constructions is it possible to think about in moments of deconstructions? In a performative approach guided by practice, this dissertation is woven with an investigation-creation of continuity in which a methodology of repetition, revisiting and recycling is developed, which seeks to question nature/culture, mind/body, human-being/other-non-human binaries. Supported by the proposals of Tim Ingold's meshwork, Donna J. Haraway's sympoietic vision and Astrida Niemanis' hydrocommon, the process is intertwined in various theoretical-methodological outlinings and practices, in post-humanism, ecofeminism, phenomenology, performance studies or ecosomatic movement, while observing what happens in this more-than-human, porous, liquid and plastic body, constantly implicated and in co-relation, in a constant flux of processes and (de)compositions.
Description
Keywords
Investigação performativa Crise climática Corpo Ambiente Performative research Climate crisis Body Environment