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Abstract(s)
Neste trabalho, é estudado o modo como a música eletroacústica / mista se desenvolveu em Portugal. É contextualizado o seu surgimento no país do ponto de vista histórico, social e político. De um ponto de vista global, este é descrito em paralelo com o desenvolvimento do género musical na Europa. Por fim, é apresentada uma análise de duas obras contemporâneas de compositores portugueses: K-U-L-T, de Luís Antunes Pena e Mosaic, de João Pedro Oliveira. Esta análise é exemplo do trabalho desenvolvido para a interpretação das obras no recital associado a esta tese.
In this work, I study the development of electroacoustics and mixed music in Portugal. I put its emergence in the country into context from historical, social and political points of view. From a global perspective, this emergence is described in parallel with the analogous process throughout Europe. Lastly, I present an analysis of two contemporary works by Portuguese composers: K-U-L-T, by Luís Antunes Pena and Mosaic, by João Pedro Oliveira. This analysis is an example of the work I carried out in order to interpret the works I played in the recital that was associated with this thesis.
In this work, I study the development of electroacoustics and mixed music in Portugal. I put its emergence in the country into context from historical, social and political points of view. From a global perspective, this emergence is described in parallel with the analogous process throughout Europe. Lastly, I present an analysis of two contemporary works by Portuguese composers: K-U-L-T, by Luís Antunes Pena and Mosaic, by João Pedro Oliveira. This analysis is an example of the work I carried out in order to interpret the works I played in the recital that was associated with this thesis.
Description
Keywords
Eletroacústica Música mista Portugal Século XX/XXI Piano Eletrónica Europa Electroacoustics Mixed music Twentieth and Twenty-First Centuries Electronics Europe