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Authors
Advisor(s)
Abstract(s)
Este documento aborda o desenvolvimento do trabalho e criação da cenografia
digital para o projeto “Ópera Real - Repetição do Fim do Mundo” como projeto final de
mestrado.
O projeto da Ópera Real, um projeto multidisciplinar com parceria entre a ESMAE
e ESMAD, conta a história de uma família e os seus descendentes, que são amaldiçoados
pelo diabo, condenados a destruição sempre que pisassem um teatro. Ao longo de 444
anos e quatro atos diferentes, cada vez que esta família entra num teatro causa a sua
destruição e consequentemente o seu fim.
No contexto da peça, este projeto tem como objetivo explorar o potencial dos
media digitais para criar um ambiente polimorfo que se transforma ao longo da
progressão da história, ao mesmo tempo em que se destaca pela utilização de técnicas
de video-mapping para desenvolver uma dimensão cénica digital, proporcionando
diferentes cenários para cada ato. Assim, foi construída uma narrativa visual que
acompanhe as cenas e os atores, conferindo vida ao cenário e, acima de tudo, oferecendo
um espetáculo dinâmico e único.
Nesta dissertação são apresentados os processos de desenvolvimento to trabalho,
como a revisão literária sobre cenografia digital e artes performativas, o processo de
criação de conteúdos para a peça, as experiências com ensaios e espetáculos, e uma
conclusão e reflexão final sobre o projeto.
This document addresses the development of the work and creation of the digital scenography for the project "Ópera Real - Repetição do Fim do Mundo " as a final master's project. The Ópera Real project, a multidisciplinary project with partnership between ESMAE and ESMAD, tells the story of a family and their descendants, who are cursed by the devil, condemned to destruction whenever they step into a theater. Throughout 444 years and four different acts, each time this family enters a theater it causes its destruction and consequently its end. In the context of the play, this project aims to explore the potential of digital media to create a polymorphous environment that transforms throughout the progression of the story, with the use of video—mapping techniques to develop a digital scenic dimension, providing different scenarios for each act. Thus, a visual narrative was built to accompany the scenes and the actors, bringing the set to life and, above all, offering a dynamic and unique show. This dissertation presents the development processes of the work, such as the literature review on digital scenography and performing arts, the process of creating content for the play, the experiences with rehearsals and shows, and a conclusion and final reflection on the project.
This document addresses the development of the work and creation of the digital scenography for the project "Ópera Real - Repetição do Fim do Mundo " as a final master's project. The Ópera Real project, a multidisciplinary project with partnership between ESMAE and ESMAD, tells the story of a family and their descendants, who are cursed by the devil, condemned to destruction whenever they step into a theater. Throughout 444 years and four different acts, each time this family enters a theater it causes its destruction and consequently its end. In the context of the play, this project aims to explore the potential of digital media to create a polymorphous environment that transforms throughout the progression of the story, with the use of video—mapping techniques to develop a digital scenic dimension, providing different scenarios for each act. Thus, a visual narrative was built to accompany the scenes and the actors, bringing the set to life and, above all, offering a dynamic and unique show. This dissertation presents the development processes of the work, such as the literature review on digital scenography and performing arts, the process of creating content for the play, the experiences with rehearsals and shows, and a conclusion and final reflection on the project.
Description
Trabalho de projeto
Keywords
Ópera Teatro Video-mapping Cenografia digital Artes performativas Opera Theatre Digital scenography Performance arts