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Abstract(s)
O presente estudo tem como principal objetivo avaliar em que condições o ato fotográfico pode se efetivar como uma ação performativa. A partir de uma revisão bibliográfica e do cruzamento de propostas teóricas, propõe-se a análise da fotografia como um ato iniciado no fenómeno da visão, defendendo a implicação ontológica do sujeito na sua ação constitutiva e constatando uma iminência performativa a partir de seu caráter processual. A propósito de uma definição de performance, os conceitos de performativo e de espetáculo circunscrevem a análise aos estudos das artes cénicas. Paralelamente à investigação teórica, analisa-se como exemplos práticos os trabalhos de Sophie Calle, Jeff Wall e do coletivo português Os Espacialistas, detalhando os seus respetivos processos de criação, construção e registo da imagem como experiência performativa. Por fim, também se propõe o desenvolvimento de uma metodologia prática explorada na realização de um laboratório que, partindo do intuito de perceber como o ato fotográfico como performance pode servir à criação cénica, revela o processo de construção do espaço fotográfico como uma ferramenta de construção dramatúrgica.
This research has as its main objective to assess under which conditions photography may be effected as a performative act. Based on a literature review and the crossing of theoretical proposals, it is proposed the analysis of photography as an act initiated in the phenomenon of vision, by which it defends the ontological implication of the subject in its constitutive action and ascertains a performative imminence based on its procedural character. In regard to a definition of performance, the concepts of performative and spectacle circumscribe the analysis to the performing arts studies. Alongside the theoretical research, it is analysed the works of Sophie Calle, Jeff Wall and the portuguese collective Os Espacialistas as practical examples, detailing their respective processes of creation, construction and registration of the image as a performative experience. Finally, the research propounds the development of a practical methodology executed in an experimental laboratory, that starting from the intention of understanding how the photographic act as a performance can suit the scenic creation reveals the creation process of the photographic space as a tool to dramaturgical construction.
This research has as its main objective to assess under which conditions photography may be effected as a performative act. Based on a literature review and the crossing of theoretical proposals, it is proposed the analysis of photography as an act initiated in the phenomenon of vision, by which it defends the ontological implication of the subject in its constitutive action and ascertains a performative imminence based on its procedural character. In regard to a definition of performance, the concepts of performative and spectacle circumscribe the analysis to the performing arts studies. Alongside the theoretical research, it is analysed the works of Sophie Calle, Jeff Wall and the portuguese collective Os Espacialistas as practical examples, detailing their respective processes of creation, construction and registration of the image as a performative experience. Finally, the research propounds the development of a practical methodology executed in an experimental laboratory, that starting from the intention of understanding how the photographic act as a performance can suit the scenic creation reveals the creation process of the photographic space as a tool to dramaturgical construction.
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Keywords
Performance Fotografia Processo criativo Performatividade Espaço Perceção Photography Creative process Performativity Space Perception