Utilize este identificador para referenciar este registo: http://hdl.handle.net/10400.22/1549
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dc.contributor.authorRibeiro, Carla-
dc.date.accessioned2013-05-11T15:43:57Z-
dc.date.available2013-05-11T15:43:57Z-
dc.date.issued2011-
dc.identifier.urihttp://hdl.handle.net/10400.22/1549-
dc.description.abstractIn Europe, the first half of the twentieth century was characterize by the rise of authoritarian regimes that used cinema as a propaganda tool for the prosecution and consolidation of political power. Indeed, film conveyed images, symbols, myths to an extent and strength that no other media had. In Portugal, the 1930 and 1940’s represent one of the most significant phases, either because of the introduction/strengthening of the technology of sound cinema, whether by the action of the Secretariado Nacional de Propaganda, the propaganda instrument of Estado Novo. Among the multitude of ways that this organization resorted to spread the political message of Estado Novo, cinema in particular aroused the attention of its director, António Ferro, as a preferred mean of communication with the masses. This communication seeks to examine the role played by António Ferro in the national film scene. It intends to determine the nature and direction of his cinematographic vision, i.e., his ethical and aesthetic assumptions, firstly, and secondly, its political action towards the portuguese film industry, as director of the SPN / SNI, under the tutelage of Oliveira Salazar.por
dc.language.isoporpor
dc.publisherCine-Clube de Avancapor
dc.rightsopenAccesspor
dc.subjectCinemapor
dc.subjectPropagandapor
dc.subjectAntónio Ferropor
dc.subjectSecretariado de Propaganda Nacionalpor
dc.subjectEstado Novopor
dc.titleO cinema do SPN/SNI – o ideal de Ferro, a realidade de chumbopor
dc.typeconferenceObjectpor
dc.peerreviewednopor
degois.publication.firstPage274por
degois.publication.lastPage281por
degois.publication.locationAvancapor
degois.publication.titleAvanca/Cinema 2011por
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