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  <title>Repositório Colecção:</title>
  <link rel="alternate" href="http://hdl.handle.net/10400.22/3990" />
  <subtitle />
  <id>http://hdl.handle.net/10400.22/3990</id>
  <updated>2018-10-13T12:36:24Z</updated>
  <dc:date>2018-10-13T12:36:24Z</dc:date>
  <entry>
    <title>Algures entre o corpo e a representação</title>
    <link rel="alternate" href="http://hdl.handle.net/10400.22/10662" />
    <author>
      <name>Marisa, Cláudia</name>
    </author>
    <id>http://hdl.handle.net/10400.22/10662</id>
    <updated>2017-12-28T03:08:52Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Título: Algures entre o corpo e a representação
Autor: Marisa, Cláudia
Resumo: This paper reflects over the possibility of a body on stage becoming a dramaturgic language that is capable, through the (re)creation of reality, of attributing sense and meaning to the individual and interpersonal trajectories of performers and the audience, in a dialectic between life and its representations. The main reason for that reflection is found in studies about scenic arts, which state the non-existence of single process to analyse a performance; however, several methods exist that express diverse creation and reception models, in a participating and interactive relation through which interpreters and spectators build their identity around a common "scenic body".</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
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